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Volume 5 / Issue 1 (2021)

Editors:
Marja-Liisa Olthuis & Veli-Pekka Lehtola

Foreword:
Marja-Liisa Olthuis & Veli-Pekka Lehtola
Esipuhe

Articles:
Helena Ristaniemi
Toiseus ongelmana ja voimavarana 1990- ja 2000-lukujen saamenkielisessä perusopetuksessa oppilaiden kertomana

Mira Rantakeisu
Muuttuva ylisukupolvinen uskonto – kolmen kolttasukupolven näkemyksiä ortodoksisuudesta

Dutkansearvvi dieđalaš áigečála
ISSN 2489-7930

Publisher:
Sámi Language and Culture Research Association

Recent Posts

  • Invitation to contribute to the Sami Scientific Journal of the topic on Indigenous and minority language teaching research: Special issue number “Language in School and Learning”

    We invite researchers and experts to submit articles for the special issue, edited by Dr. Inker-AnniLinkola-Aikio, Dr. Berit-Ellen Juuso, and Professor Pigga Keskitalo. Suggested topics include:

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    ”We want to have more members and publications in our scientific society”, the new Chair of BoardMeri Mononen-Matias tells when asked about the future of association. Dutkansearvi is an important scientific source and the only scientific publication in Finland that also publishes articles in Sámi. We particularly call on the researchers that write scientific articles about Sámi and other Indigenous or Native Peoples to become members, write and suggest current themes for our future publications.

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  • Ongoing call for papers

    The Sámi Language and Culture Research Association Dutkansearvi invites you to write scientific articles on various themes. Articles are compiled by thematic issue and published as they are completed. Possible research areas and themes include the following topics:

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  • Call for papers – Special Issue of Dutkansearvi Dieđalaš Áigečála – Searvedoibma: Art and Social Communities in Sápmi (15.01.2022)

    In recent years Sámi art and aesthetics have been invited into majority contexts in hitherto unprecedented ways – from international exhibitions such as documenta 14 in Kassel in 2017 to the Sámi Pavilion at the forthcoming Venice Biennial in 2022. While Sámi art has gained new visibility internationally, this has not necessarily meant that the conditions for making, producing and exhibiting Sámi art and aesthetics in Sápmi on Sámi premises have been strengthened. There are still few Sami-oriented art institutions, and there is still no Sámi art museum. Yet, while formal art institutions are scarce, cultural festivals in Sápmi have long functioned as an important artistic, social and economic infrastructure for the development of the transnational field of Sámi art.

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    DUTKANSEARVI invites researchers and other experts to write articles in a special issue on Indigenous peoples’ cultural heritage, which will be published in Dutkansearvvi Dieđalaš Áigečála in the beginning of next year.

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